Ovlovteen: a Legacy of Groundbreaking Rock and Roll
Bob Wabidia,
The Minnesota Gazette
Like most bands, Ovlovteen had a humble beginning. Cobelrie Letebob and Telson Wedsonday, two friends from Colorado, were driving down a busy street in Guatemala City in 1998, and Telson happened to notice a new Volvo dealership. At that particular time in their lives, they greatly enjoyed reading billboards and store names backwards. Telson pointed to the dealership and said, "Ovlov!" They both thought that that was the funniest word they had ever heard.
A few weeks later, they filmed a commercial with their friend Nialp Repap for a drink they called "Ovlovteen," a rip-off of Ovalteen. Cobelrie and Telson soon afterward decided to form a two-man band and call it "Ovlovteen." The band worked in a meager recording studio: only an old Power Macintosh, a microphone, and a copy of SoundEffects. Telson wrote the lyrics and provided the vocals, and Cobelrie worked on electronic sounds and tupperware drums. They began experimenting with guttural sounds and unorthodox rhythms. Cobelrie later told David Letterman that “we didn’t have much to start with, but I think we benefited from that fact. By not having real guitars or drums, we were able to perfect our skills with non-traditional instruments. That helped us to create a sound that no other band has ever successfully emulated.”
Their first CD,
The Dance of the Duck, debuted in 1999 but received poor reviews and deplorably low sales. Cobelrie and Telson were crushed at first, but their disappointment soon faded in the light of new inspiration. Telson started writing new songs with more complex lyrics, and Cobelrie learned to play the guitar. They hired their old friend Nialp Repap to handle the cowbell and the glockenspiel, as well as other percussion instruments. In an interview with Rolling Stone, Telson Wedsonday said, "having Nialp in the studio with us made me realize how important it is to work together. All three of us have a sort of electro-magnetic-bi-polar psychic energy that flows between us when we jam, and we can feel the music calling to us." This new energy culminated in
The Dark Wanderings of a Fellow, released in 2002. The style of their second album was drastically different from anything they had attempted before; the electric hums and screeches and reversed lyrics were replaced with drums, guitars, and powerful vocals. The singles “Walter as Can Be” and “Oh Well” hit number one on all of the music charts. Critics and fans alike lauded the album as a major achievement in modern rock.
Cobelrie Letebob ready to rock
Telson suggests a different chord
Nialp Repap mixing a song
Ovlovteen began their first tour soon after the release of
The Dark Wanderings of a Fellow. They opened for bands such as the Red Hot Chili Peppers, Matchbox Twenty, Steven of the Drunk Girl Song, Zero Angle Assumption, and Taproot. Soon Ovlovteen graduated from opening band to headliner and began their world tour, playing in venues as diverse as the Citadel Dome in Melbourne to the Kasdifficama Temple in Oramu, India. After a particularly wild concert in Berlin, Todd McShandin from the opening band Peace My Violent Friend told news reporters, "Ovlovteen rocks like no other band I have seen in my f****** life. Forget the Beatles, forget Led Zeppelin, forget Van Halen, forget the f****** Backstreet Boys. Ovlovteen is here to stay."
The Dark Wanderings of a Fellow was nominated for a Grammy award, but it lost to Brittany Spears. During the awards ceremony, Cobelrie became so angry that he tore off his clothes and attempted to attack Brittany Spears, but security guards managed to restrain him before he could run onstage.
Cobelrie Letebob showing off the triple platinum Dark Wanderings of a Fellow album
Cobelrie practices
The band returned to Colorado after a long year of touring and immediately set to work on a new album:
The Timely Death of a Famed Wiggle Worm. For their third album, they decided to work on a deeper philosophical plane. Nialp Repap told Entertainment Weekly that "
Wiggle Worm is basically a search for the answer to the existential questions that plague us all. Does life have meaning? Why am I here? Can true communication ever take place between individuals?” On a similar note, Cobelrie stated: “I believe that God wants us all to be happy. I mean to say that if there is such a thing as “god,” I bet that he wants us to enjoy life. Which is to say that perhaps “he” is really a “she,” or maybe an “it,” or maybe a “them.” I really don’t know, but I have a sincere belief that this possibly-existing divine entity loves rock and roll music. Anyway, our album is dedicated to God: just look at the ‘thank-you’ page in the CD booklet.”
While they worked on
Wiggle Worm, they found time to support numerous new bands. They helped them book shows, TV appearances, and gain publicity. The most popular of these bands included Nomad Demon Brotherhood, Red Red Matt, Mystical Love Playground, The Laura Wilson LSD Orchestra, St. John Gathers Golddust, and Six-Fingered Lord Mustache. Matthew Keyes, lead singer of Red Red Matt said, “I can’t thank the guys from Ovlovteen enough. Now I have a record deal and enough money for skin treatments.”
Mystical Love Playground
Red Red Matt
Nomad Demon Brotherhood
Six-Fingered Lord Mustache
Money and fame were finally theirs, but behind the scenes the band was quickly breaking down. Cobelrie's heroin addiction reached a dangerous peak, leading to a near-fatal overdose in a Burger King restroom. Telson began battling writer's block after his second wife left him, and he feared that he would never write another hit song. In addition, his third wife attempted to murder him, but luckily a neighbor heard the shooting and rushed him to the hospital. Nialp had a nervous breakdown and spent several months in the Ickia Institution in Dallas, all the while wrestling with nightmarish hallucinations of “rusted nails and bananas speaking to me, telling me they want to hurt me, knock me unconscious.” Tension mounted within the band, especially during rehearsals. Cobelrie, fresh from rehab, was still too shaky to reach all of the chords. Telson’s lyrics degenerated into clichéd love songs and insipid ballads. Nialp was often too afraid to show up to practice, and when he did he invariably attempted to crawl under the studio’s grand piano or hide in the heating ducts. In 2003 they collectively decided that it was time to lay the band aside and concentrate on repairing their personal lives.
They played their final concert at their first venue: the Ford Center in Oklahoma City. The show was sold out, and thousands of fans who could not get in mobbed security guards outside. A few special guests showed up on stage to bid Ovlovteen farewell, including Paul McCartney (The Beatles), Eddie Vedder (Pearl Jam), Dave Matthews (The Dave Matthew’s Band), Chris Cornell (Soundgarden, Audioslave), and Billy Corgan (The Smashing Pumpkins, Zwan). They ended their concert with Telson reading “The Endless Dawn of the Day,” an eloquent poem that embodies the purpose and ideals behind Ovlovteen. After the show, Telson told reporters: “we’ve had a rough career, but we’ve also made tons of great memories and incredible music. A lot of tears, a lot of years.”
Matthew Keyes and Nialp Repap make bracelets to give away at Ovlovteen's final concert
Ford Center, Oklahoma City
Currently, Telson Wedsonday and Cobelrie Letebob live in Colorado and are working on demos for an as-yet unnamed band. Nialp Repap is studying filmmaking and fine-art painting in east Texas. Rumors have been circulating in various magazines about the band possibly reuniting for another album. When interviewed about this, Telson said, “we are not prepared to make a statement right now. Personally, I would love to get back in the studio with Nialp and Cobelrie.” For now, the future of Ovlovteen remains uncertain, but anything is possible in the world of rock & roll.